Showing posts with label Jim Cornette. Show all posts
Showing posts with label Jim Cornette. Show all posts

Tuesday, October 9, 2012

These Are Not The Changes We're Looking For

Lord knows one of my favorite things to do with this site (and throughout my time writing, really) is taking a look at heretofore unexplored angles to big stories. So, let’s take a couple recent wrestling stories and dump them on their ear, shall we?


Ring of Honor Changes Creative Team

So, the first big story that came out on October 8 was that Jim Cornette was out as head booker (matchmaker, creative director) of Ring of Honor and Hunter Johnston (aka masked wrestler Delirious) was (back) in. A lot of the online response has varied between two main schools of thought:

1) “Thank goodness/good riddance, etc.” to Jim Cornette being ousted, as some of RoH’s stories under his direction were seen as outdated by some. They seem to think this will go a long way in solving RoH’s current problems, but...

2) Others seem to think that there are bigger issues than creative, like the fact that Ring of Honor can’t seem to put out consecutive, problem-free internet Pay-Per-View broadcasts to save its own hide. A lot of this school seem to go along with the theory of, “they’re owned by a broadcasting company; can’t they get broadcasting right?”

It’s group 2) we’re going to focus on, because there’s a big question that, I think, has to be answered that no one seems to be able to. It’s a question that, if answered, could go a long way in explaining not only RoH’s inability to produce a working iPPV more than once a year, but also one that includes how much exposure Ring of Honor is getting since being bought by Sinclair Broadcasting Group and if they have any chance of competing as a viable alternative as a wrestling product. That question is:

How much money, if any, is Sinclair investing back in to Ring of Honor?

Think about it. It’s a question that no one has been able to answer, at least not in all the stories I’ve read and all the podcasts I’ve listened to about Ring of Honor (and that covers a surprising amount of ground). Jim Cornette said in a recent interview with Live Audio Wrestling that Sinclair is looking to acquire new, original content to feature on its stations, and that Ring of Honor was a way of getting their feet wet with the venture.

When Sinclair bought RoH back in May of 2011, I originally wrote that, “As for now, Ring of Honor, as a result of being owned by another company, finds itself in a much better position now than it has at any time in its nine years of existence.” I think it’s safe to drastically re-think that way of thinking as Ring of Honor sounds more like an experiment for SBC than an actual investment that they care about nurturing.

Sinclair is looking at the ratings of the RoH television show, which is how they’re making their money back off of RoH. Why would they care whether or not the iPPVs make any money, or even work? Is Sinclair seeing any of that money in their own coffers, or is it just in the ad revenue from airing the show? SBC doesn’t even seem to be very involved in producing the television shows, much less the iPPV broadcasts. This, above all, would seem a much larger concern than who’s writing the TV.

And speaking of writing TV, that brings us to story number two...


WWE Also Changes Creative Team

After Jim Cornette was replaced as head of RoH creative, WWE writer Brian Gerwitz was taken out of the spot of head writer for WWE Raw and replaced with a former studio executive. Since Gerwitz was seen as a lot of the cause of the decline of the product over the last decade-plus or so, many are cheering this decision. How good this will do remains to be seen, but again there’s another issue to think about here.

The October 1 Raw did something like a 2.5 rating, the lowest non-holiday rating it had done in years. Once that happened, Vince McMahon promised some drastic changes to the product – and started by ousting a guy who had been in his position for over ten years.

Does this mean McMahon is actually serious about making changes? Or, as one report from 411 points out, is McMahon simply losing touch with the public and his own product?

Either way, if I’m an employee at WWE, I’d be terrified right now. McMahon just ousted a guy from one of the top creative (if not the top creative) position in the company, seemingly on a whim. If he’s that committed to improving the product, or – as more seem to think – so apt to act so rashly based on a number, that company could be in for some more scary changes a lot quicker than many would think.


Sunday, September 9, 2012

Interlude: Davey Richards's Redemption? Or Setup?

Taken from PWPonderings.com’s results from last night’s Caged Hostility show from Ring of Honor (with pertinent info highlighted):

Davey Richards is out to address the crowd. He puts over the tag match. He says, ” I love wrestling, more importantly, I love it in a ROH ring.” He also name drops Samoa Joe & Bryan Danielson. Says he’s very ashamed of the person he’s been out of the ring the last year. That he put his trust in the wrong people but that the WOLF is back! Says he’s gonna come out later and watch a match later in the evening, probably the O’Reilly/Cole match and says he’ll be at Death Before Dishonor in Chicago

Okay, if this your first time here or if you happened to miss why this is important, feel free to go get caught up. ‘S cool. I’ll wait a second.

...

So, now you get what Richards was talking about. Yes, I was already well and fully aware that Davey Richards will be returning to “address the crowd” on iPPV next weekend at “Death Before Dishonor X”. I was holding off on making any comment until I heard that, but it seems now we already have an idea of where “Wrestling’s Most Wanted” might go.

Bear in mind that, in the Ring of Honor storylines, Kyle O’Reilly turned heel on Richards at the June iPPV, “Best in the World 2012: Hostage Crisis”. O’Reilly told Richards he was on his own, effectively dissolving “Team Ambition” in Ring of Honor.

Real life was another story, however, as O’Reilly turned face against Richards and Kozina, returning his share of the promoter’s money he made off with.

Oh, and later last night (with pertinent info highlighted once again)?

PROVING GROUND – Best In The World Return Match Kyle O’Reilly defeats ROH World TV Champion Adam Cole in 15:48 via rollup out of a German Suplex attempt after Cole bumped him into Richards who got on the apron to “inadvertently” distract Cole. Davey Richards is out to watch this match. O’Reilly thus should be getting a future shot at the TV title.

It’ll be interesting to see how this plays out. Unintentionally, this is the most captivating thing Ring of Honor has going on to me right now. Do they recognize “Wrestling’s Most Wanted” and pull the trigger on that, or do they keep it clean with Richards trying to rehab his image? I'll damn sure be paying attention to the DBDX iPPV (lulz intrawebz abbreviations) to see if they play it safe or not.

By the way, I posed the question to an expert a while back. His answer?





Sunday, May 22, 2011

Ring of Honor Steps Up

Is this a hell of a weekend for wrestling or what?

As far as the mainstream side of the planet goes, it’s mourning Randy Savage. However, under their noses, another huge story has broken that could bode very well for the third-largest wrestling promotion in the country and ultimately change the face of the industry as we know it now.



Ring of Honor announced yesterday that the company has been sold. Lock, stock, and barrel. Ring of Honor is now owned by Sinclair Broadcast Group, Inc., “one of the largest television broadcasters in the country and which owns and operates, programs, or provides sales services to 58 television stations in 35 markets across the United States.”

I won’t lie - when I first saw this, I was terrified. That was my knee-jerk reaction. Because, let’s face it, the last wrestling promotion that was bought out didn’t fare so well after that. the one before that fared a little better, and even made a comeback of sorts, but it’s days were numbered once it was bought out.

Not just that, but even outside the realm of pro wrestling, corporate media as a whole terrifies, disgusts, and exasperates me - more often than not all at the same time. That feeling is at the crux of damn-near everything I’ve written, said, shot, and put out there for public consumption for over 7.5 years and counting. It is also one of the primary reasons that the show/brand/idea of Count3rCu1ture was conceived and created. So, yeah, reading that a smaller wrestling promotion had been bought by a media corporation scared me. Until I read more in to this story.

First, it helps that Steve Marks, COO of Sinclair’s Television Group is actually excited about the property his company has picked up. He even said so!:

”We are very excited about this acquisition. Television and professional wrestling have a long history of successful partnerships and driving viewership. Unfortunately, the broadcast networks have not protected that relationship, allowing professional wrestling to migrate to cable network distribution. We believe that the powerful promotional platform that our TV stations provide, coupled with our 22% share of the U.S. TV households, will allow ROH to achieve name brand recognition and grow its share of the wrestling market. When you consider the makeup of our station mix and the number of CW, MYTV and FOX affiliates we operate, this is a perfect fit for our viewer demographics. Longer-term, we can envision syndicating ROH wrestling to broadcasters in markets where Sinclair does not have a presence, and even internationally.”

That’s a relief to hear. It’s as though Marks feels there’s a programming hole to fill, and his company is willing to do it. Second piece of good news is that Sinclair is willing to do it without radically alter the company. Hell, there will be barely any changes at all, really.

The front office staff, including former owner Cary Silkin, will all remain in their positions to work alongside Joe Koff of Sinclair (now the promotion’s Chief Operating Officer) and Gary Juster as Vice President of Operations. Yes, that’s the same Gary Juster who used to work as a promoter for Jim Crockett and later WCW, will be the Vice President of Operations. He also happened to broker this deal with Sinclair and RoH.

Outsuide of that, Jim Cornette will remain as Executive Producer and Hunter Johnson will remain on as a creative executive. Johnson and Cornette now also share talent relations and creative duties.

Kevin Kelly, “the voice of Ring of Honor on internet Pay-Per-View”, will also remain in that position, as well as become the lead commentator when the Ring of Honor syndicated television show debuts all over the Sinclair Group’s television stations in September. Oh yeah - that’s piece of good news number three - a much bigger television outlet for the company come this fall. In fact, this past weekend at Roh's Supercard of Honor VI in Chicago, the company announced its first television taping for Sinclair would be in that same city on August 13.

That, in and of itself, is fascinating. When RoH walked away from HDNet after that two-year deal expired, many were wondering how, when, or even if Ring of Honor would be back on television. The question that was posed to whomever in RoH was interviewed was basically, “hey, if it happens, it happens.” The answer, in the eyes of the company, was that they were looking for more than just being “back on television”, and they’ve got it.

Now, this isn’t an immediate presence or a giant leap to compete with WWE. My old stomping grounds 411 Wrestling gave more details - Sinclair broadcasts in roughly 22% of the country and there some huge markets that are not part of the equation. (411 also has the full list of their stations here) Even still and as already noted, they already have a bigger presence in the national market provided previously by HDnet.

If you ask most anyone in RoH, they’re not looking to compete with WWE or even TNA Impact Wrestling. Their product is completely different; Jim Cornette described it in the press release as, “...[N]ot old-school wrestling, and it’s not sports entertainment...This is wrestling for the 21st century, a new style developed by fresh, young stars that incorporates wrestling, mixed martial arts and high-flying, high-risk action with unique personalities, and it’s showcased by a sports-based presentation completely different from any other product out there.” That description fits very well, and it’s the main reason I’m such a fan of Ring of Honor.

What happens now should be a show in and of itself. It’s no secret the pro wrestling is in a stagnant state, while MMA (and especially UFC) is hotter than ever right now. The reasons are simple: MMA took the presentation and basic ideas of pro wrestling and added them to a much more realistic product, while the biggest wrestling companies in the world have are hell-bent on producing anything but wrestling. Many have speculated that, for wrestling to once again thrive, that it would have return to basics and produce a much more realistic and athletic product on a larger scale. Ring of Honor is that product, and now they have that larger audience. That theory of where the wrestling industry heads from here is about to be tested, big time.

But that’s another discussion for another time. As for now, Ring of Honor, as a result of being owned by another company, finds itself in a much better position now than it has at any time in its nine years of existence. It’s a thrilling time to be associated with and a fan of Ring of Honor. All the best in the world is hoped for as they move forward with a new venture and hopefully now become the little promotion that redefines wrestling.

Friday, February 25, 2011

My Issue With Spider-Man

No, it has nothing to do with the character, the comic, any of the stories, or even the movies. (Although that third one has taken less than its fair share of criticism...Venom as a 70s emo wuss? Who booked this crap?)

No, my issue is with Spider-Man: Turn Off The Dark. The musical. Just one question...a request, really...

Can we pull the plug on this thing’s life support already and just let it die? Honestly, this thing has “destined to fail” written all over it. And yet, the producers march on like General Custer.

Alan Cumming (known for several cool roles, but the one closest to this would be Nightcrawler in the second X-Men movie) was set to be a part of this thing before he grew a brain. No, that’s not a knock - hell, even he feels that way about it (edited for language):

He explained, "My GOD, that was a lucky escape...Talk about dodging a bullet there! …it just %#@!ed me about. It kept getting delayed and delayed, and so I was like, 'OK, time to move on.' Yeah, it was a bit awkward. She [Director Julie Taymor] wasn't best pleased when I quit. But the thing about Julie is that she's very blinkered about her work, and then things go into the ether. So the next time I saw her for The Tempest, it was like it never happened."

Need to know more? Okay, sure!

Four actors have been injured during production, including lead actress Natalie Mendoza. The original actors for two main roles - Mary Jane and the Green Goblin - have split. It’s been delayed several dozen times - at first for funding issues before racking up a $60 million production price tag. They’ve had to bring in another director and damn good comic scribe Roberto Aguirre-Sacasa to save their collective fat. And THAT was because the first preview featured several technical glitches, more delays, and generally sucked so bad that a few critics broke an unspoken rule just to let the world know how abominable this show is.

On top of all that, do you remember the last time someone got the bright idea to put a super-hero musical on Broadway? Yeah, neither does anyone else - because it sucked so bad the first seven rows passed out from lack of oxygen (thank you, Jim Cornette)! It’s A Bird... It’s A Plane...It’s Superman! is now 45 years old and it lasted less than four months before closing doors. That should tell you how terrific it was. And yet, someone’s willing to try this again.

Of course, comic movies are all the rage now. The nerds are coming out of the closet and geek chic is all the rage. There’s a great market out there to be had, but it’s still no reason for this. $60 million dollars later, this thing has almost no chance of making its money back, much less turning a profit.

Even after all the evidence above, there are three simple reasons why this show is a reason that Roe Vs. Wade was passed in to legislation (I know it’s not the first time I’ve used that line, but this actually fits better.).

It’s a musical. About Spider-Man. With music by Bono and The Edge.